
Podcast #12–May 2019: The Best of the Rest; 1982 Style
It’s late and this one is pretty straightforward. Part one of potentially a few discussing how great 1982 was and how pivotal it was worldwide for punk and hardcore. Photo courtesy …
Music. Exploring under-recognized genres, albums and songs.
I wanted to start a thing that would’ve given me a chance to give back to a scene that I care for deeply. I wanted to expose stuff to people, and …
Hey, so the thing that I hate about a lot of recent hardcore bands is that they almost to a single band, drench their vocals in reverb, making them a unintelligible …
A collection of releases all in one place and serves as a pretty good introduction to the band – starting off with a wail of feedback and off and running with …
I try to every Record Store Day, sift through the absolute dreck of releases and list what you should and shouldn’t buy – of course my tastes lead me to only …
It’s late and this one is pretty straightforward. Part one of potentially a few discussing how great 1982 was and how pivotal it was worldwide for punk and hardcore. Photo courtesy …
It’s late and this one is pretty straightforward. Part one of potentially a few discussing how great 1982 was and how pivotal it was worldwide for punk and hardcore.
Here’s where the podcast will be:
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On Stitcher
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Show Notes:
Adicts — Eyes In The Back of your Head
SLF — Touch and Go
UK Subs — Endangered Species
Mau Maus — The Oath
Infa Riot — The Winner
Mayhem — Dog’s Body
The Insane — El Salvador
One Way System — Stab The Judge
Chaotic Dischord — Fuck the World
Xpozez — 10,000 Marching Feet
Omega Tribe — Is This A Future
Poison Girls — Soft Touch
A Heads — Dying Man
Conflict — Blind Attack
Red Cross — Linda Blair
Wipers — Romeo
Sin 34 — Die Laughing
Bad Religion — Oligarchy
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The Ex are a band that have existed in some form or another for 40 years, and are probably a shining example of a band that you probably should spend some …
The Ex are a band that have existed in some form or another for 40 years, and are probably a shining example of a band that you probably should spend some time exploring the deep and varied catalog. Do you like noise? You’ll probably like the earliest releases. Do you like most of Sonic Youth’s releases? Then you might appreciate anything throughout The Ex’s career. Do you like Ethiopian jazz? Then The Ex with Getachew Mekuria is probably your entry point? Do you like moodier, melancholy jazz? Then The Ex with Tom Cora might be your jam. Are you a fan of punk played with an abrasive edge? Then The Ex in the mid-80’s through the mid 90’s probably have a record that you will appreciate. Are you a fan of indie rock? Maybe the last two albums will be your thing. Do you like avant-garde rock with horn sections? Then The Ex with Brass Unbound is probably where you’ll fall in love with them.
By way of that introduction, you’ll actually get a sense of the lineup of this show; with Abebe Fikade fulfilling an Ethiopian approach to modern music (think traditional Ethiopian sounds with drum patterns and synthesizers), Eucalyptus fulfilling the jazz with saxaphone and trumpet, but with a rock edge coming from the electric guitar. New Fries, a new band, but with very straightforward post-punk and indie rock influences on their sleeve; and funneled through the female voicing of the singer.
In many ways The Ex are a band that exhibit their punk roots; deceptively simplistic songs, an intensity on stage that is undeniable, a willingness to fuck with expectations, a devotion to the present (as exemplified by them only playing songs on their current album). But they also show their maturity and dedication to their craft; an evolution in sound, if not the approach to being a band. Despite the difficulties of the sound in the space, the band prevailed. Racing through a thoughtful set of eight songs, ending with “Soon All Cities” and then coming back for an encore with an additional two songs, this time with Brodie from Eucalyptus adding a saxophone to the cacophony. And for me that’s what I wanted from The Ex; after missing them at the Rivoli in 1991 on a three night date with Nomeansno, and again last year on their tour to support “Catch My Shoe”, I finally got my chance to see them, and it was worth the wait. Of course, I wouldn’t expect The Ex to be in a conventional venue, nor to start the set with a conventional hard hitting song to get people moving. Starting with the discordant, “This Car Is My Guest” can be a distinct challenge to the crowd — but to a receptive audience, it can act as a clear line to state exactly what is going to be performed. Ending with the downright danceable “Soon All Cities”, the set wasn’t flawless, but that unpredictability is something that The Ex I would imagine would appreciate and be able to deal with. And in a world that is absent Sonic Youth, The Ex did play songs that live, would remind me of some of the same places that Sonic Youth were going on Murray Street and beyond. I’m glad that I got to see The Ex; and people who have seen The Ex previously mentioned that they had gotten more intense, more visceral live than previous. That leaves the rest of us some hope as we all age into middle-age and beyond. Long live The Ex to keep an example alive.
Osaka is often referred to as Japan’s kitchen, and while I think that might be a bit overstated, the food, and hospitality in Osaka was definitely different than in Tokyo. Not …
Osaka is often referred to as Japan’s kitchen, and while I think that might be a bit overstated, the food, and hospitality in Osaka was definitely different than in Tokyo. Not necessarily better, but different
Osaka is also Japan’s unabashed no bullshit zone. While still maintaining a friendliness that permeates everyone I interacted with in Japan, it’s also a good way to get closer to how an Osakan feels about you quicker. It feels more real than Tokyo, which has a sterility, a formality, a veneer that needs to be peeled back to get closer to the reality. Osaka also doesn’t have the same perpetual rebirth that Tokyo has, where demolition and construction happens in a matter of weeks. You actually can see a patina on some of the buildings. That’s the sort of thing I appreciate in a city. That’s not to say that Osaka is run down by any means, it is just as neon filled, outlandishly flashy as Tokyo is, but there’s a slightly gritty edge.
For punk I really only hit up Punk and Destroy, Time Bomb and Disk Union. I should’ve gone to King Kong, and I will next time. Overall I liked shopping in Osaka better than Tokyo; the higher end items were not quite as expensive outside of a few rarities, which were competitively priced. The quality of a shop like Punk and Destroy is worth a visit alone, so if you have a day and a JR rail pass it’s worth your time. Where else are you likely to see the first Lip Cream 7″ and Death Side “Wasted Dream” on the wall? Well, you won’t see Death Side on the wall there anymore… While it’s a tiny, tiny space, in an underground cavern of dank bars (more on those later), and ill lit corridors, it’s perfect as a record store. Great selection, decent prices, a lot ot choose from, and despite his statement that his English was not good, the person who served me was absolutely able to hold a conversation in English (we talked about top 5 hardcore punk LPs — Death Side “Wasted Dream” is in that with Gauze, Black Flag, Poison Idea and Jerry’s Kids). Most of the punk (and punk related) record stores are in the Sinsaibashi district and are easy walking from Sinsaibashi station. Here’s a short video I took walking down the stairs to Punk and Destroy as it’s not clearly signed and hopefully will save you about 20 minutes of looking:
As I said, Punk and Destroy is definitely worth a visit for punk and hardcore, Time Bomb for indie rock and punk (as well as some amazing KBD style punk, and a smattering of hardcore). Frankly after Punk and Destroy, I felt a bit like I didn’t need to go anywhere else.
I should’ve gone to King Kong, and Rockers Island (who specialize in reggae) next door, and Revenge Records (who deal more in black metal, punk and grind) and Flake Records (who deal in emo and indie rock). Oh here’s a map with record stores, some food I ate at or was recommended by locals and some attractions:
So you can see, outside of a few outliers, that there’s a few record stores clumped within a ten to fifteen minute walk of each other. Just go to Punk and Destroy first — especially if you’re looking for crustier or classic Japanese hardcore. Time Bomb, is the classic has a smattering of everything indie record store and shouldn’t be underestimated; it likely will have something you want. Just not necessarily everything you want, or at the price you want to pay. However, you might find it here, if it’s outside the narrow definition that Punk and Destroy has. I also had some good luck finding some The Stalin CDs at the Book Off near Sinsaibashi station. Book Off’s aren’t always well stocked, and the vinyl, if they have it at all is very hit or miss.
I also found Disk Union near the Umeda/Osaka station to be decent — I saw a copy of an Order CD on East/West that was horror priced (around ¥9500, which is probably about right seeing as I’ve never seen it, but seemed ridiculous to me to spend that much on a CD). Disk Union, is always, always worth a visit even if it’s not punk focused.
In Osaka I didn’t actually get to any shows, despite there being one on the Wednesday night we were there. However, over the years I’ve seen that Namba Bears, Hokage, Fandango and King Cobra all have punk shows of some (ill?) repute. For drinks, and no shows, Bar Konton is your best bet, and it’s located across the hall from Punk and Destroy. Have I mentioned that Punk and Destroy was awesome?
I wrote a little about finding vegan and vegetarian restaurants in General Admission Traveller: Tokyo. I’m not those things, so I will say the local specialties are okonomoyaki (think a savoury layered thin pancake or crepe, with cabbage, pork, bonito flakes, mayonaise and thick brown sauce, fried and cut like a pizza) and takoyaki (a piece of octopus tentacle in a deep fried ball). All I can say (and this is true everywhere, not just Osaka) is eat away from the tourist spots, even a street or two over is infinitely better food. As I wrote in the Tokyo entry, food is absurdly good even at the inexpensive local or national Japanese chains.
13 hour flight behind us, ready to sink into the neon (after finding our hotel and a good night’s sleep). Culture shock not really hitting full-on yet. Where are the record …
13 hour flight behind us, ready to sink into the neon (after finding our hotel and a good night’s sleep). Culture shock not really hitting full-on yet. Where are the record shops? What to do?
The answer is probably more than we were able to muster up in our total of six full days in Tokyo. Firstly, this is from a tourists perspective; I’m not going to get everything correct, or understand the nuance of some of the things that happened. From every possible angle, I’m not part of the Tokyo scene — I just visited and was lucky enough to know a couple people who introduced us to a few more folks. For that, I’m eternally grateful, because it made this trip much more special; to be able to speak to some folks and basically experience Tokyo a little closer to someone who lives there.
A few, small, notes about what people say on the Internet. I read a lot about Japan before going. That information was good to have, and helped navigate a lot of cultural things that I might not have known (like in Tokyo, stand on the left of escalators). Some of the things I experienced were understated in comparison of what people told me to expect, but other than that Tokyo was everything a major metropolis is. Full of tourists, some gracious and humble, some overbearing and downright rude. To the point you’d want to scream at the rude ones, “Just fucking shut up on the subway!” But that would be rude. Two specific things that I found not to be entirely true. One, on subways/trains, no one talks. I found that on JR Line trains, almost no one spoke. However, on the Tokyo Metro, many times young people were laughing, giggling and chatting up a storm. Maybe it’s just a cultural difference between a train and a subway? Two, people are hyper-polite. While an element of this is true, it’s not like everyone is saying “sumimasen” constantly (well, I was… but that’s my Canadian side showing). What I think people were experiencing is the formality of a typical Japanese interaction — lots of subtle cues that maybe westerners don’t understand — I certainly wasn’t able to grasp the nuance of everything but bumbled through just fine (although I wouldn’t know if I didn’t). Basically, if you bring some rudimentary Japanese phrases, and a bucket of humility, you’ll be fine. When in doubt, use the most formal version of the words you do know.
This guide is based on some minimal information and tainted by my experiences. Your mileage may vary. To me, punks are likely to want to know where to buy records, where to go to shows and where to eat, so that’s what I’m going to share.
In Tokyo alone, I went to NAT Records, RECOfan, Record Shop Boy, Record Shop Base and six different Disk Unions (three in Shinjuku, one in Ikebukuro, one in Shibuya and one in Ochanomizu). I bought a few records. Out of all of the ones I visited, Disk Union Shibuya (5F Punk), Disk Union Shinjuku (7F Punk Market) and Record Shop Base were the broadest, but if you were going more metallic, Record Shop Boy was pretty damn good too. Shinjuku is a bit of a nightmare to get around as it’s super easy to exit the wrong way from the station and get turned around. It took about three or four trips to the area to really “get” it. Even then, it was a bit of trouble. As you may or may not know, getting around Tokyo is difficult as streets aren’t always named, addresses are in blocks, and dependent on the order buildings were built. So you could have building #4 and building #12 next to each other. Thankfully as a modern traveller, I had Internet access and Google Maps rarely steered me wrong (remember to give it a minute to locate you because, lets face it, location based over WiFi is a bit dodgy). I have a rule that when on vacation try to buy stuff that is local, and my collection of Japanese hardcore had so many holes that I didn’t have a problem sticking too close to that rule. I did break it for a few purchases (Joy Division — Unknown Pleasures LP for Kate and for myself Crossed Out/Man Is the Bastard split 7″ EP, second pressing, and a Finnish split 10″ EP), but other than those three records in Tokyo, I bought Japanese records. Tokyo, like London and New York, is overall pretty picked over, so you’re unlikely to grab something unless you’re in the right place at the right time. I did see Black Flag — Nervous Breakdown 7″ (brick sleeve) in a Disk Union (Shinjuku, Punk Market to be specific). Outside of that, none of the big ticket Japanese records (Death Side, Gauze, early ADK Records, The Stalin, early Dogma Records, early Lip Cream, GISM, etc.) were on display. In fact, I did go back to Disk Union and someone had bought the Nervous Breakdown within a week of it going on the wall. Turnover, is clearly high. With that said, I did find some gems (Lip Cream — Kill Ugly Pop LP, Ressurection flexi, Warhead’s two early 7″ EPs) so I’m not disparaging Tokyo as a record shopping destination. Unlike London and New York — you can actually find things that are reasonable to purchase!
As you may or may not know Tokyo is made up of several wards. It’s a huge city, and for punks with a singular focus (on punk and hardcore) you’re going to be interested in the following areas at least: Shinjuku, Shibuya, Nakano and Koenji.
In Shinjuku you have the seven floor Disk Union, with “Punk Market” on the seventh floor. You also have NAT Records and another, separate Disk Union specializing in Metal (which of course has some, pardon the pun, crossover). There’s also a Tower Records and a HMV as well, both I didn’t visit. Oh yeah, if you’re not vinyl specific, there’s also a Book Off in Shinjuku where you might pick something up, but be prepared to search as not all Book Off’s sell CDs, and not all have handy “punk” sections — however Book Off definitely have discount pricing.
In Shibuya you have another Disk Union (the fifth floor specializing in punk and hardcore), RECOfan, Nerds and Face Records (there’s also a Tower and an HMV, which might have something as well). It’s likely that you’ll pass through those districts even if you aren’t staying in them. In hindsight, Shinjuku was a good place to stay, as it provided easy train access to all four of the areas I was interested in.
The other two districts; Nakano and Koenji were, in my opinion better options. Less crowded, a little more sedate, and probably where I’d stay (if possible) next time. Nakano is two stops from Shinjuku on the JR Chuo line, and while I didn’t end up at any record stores in Nakano, the ones that were suggested to me were Flower, Rare and of course, Disk Union.
One stops further out, was Koenji with Record Shop Base, Record Shop Boy and the unfortunately named Gas Chamber Records. I never did find Gas Chamber, but Base and Boy are must visits.
Neither of them have ground floor entrances, and Boy had no appreciable signage at the ground level, so make sure you do a google maps walkthrough before you actually venture out and get there. In addition there’s another Los Apson and Enban — who both don’t have a punk focus, but might have some things that interest punks.
From the outside, punk shows typically happen in bars, and those bars are mostly in the performance spaces. However, in Japan it’s not uncommon to have the bar above, or below, where the show actually happens. If your preference is to get tanked at a show, make sure you at least keep enough wits about you to stumble down the stairs between sets. Here’s another thing (small sample though, but confirmed through a lot of conversation with other tourists and expats) shows run on time. If the door time is 7 PM, then be there no later than 7:30 if you want to catch the first band. Most shows run earlier than in North America (where it’s not uncommon to have the headlining band take stage at midnight or later), to allow for people to catch at least the last train home. If set times are posted, bands will be playing very close to those set times. That stereotype of punctuality was reinforced in my experience. And frankly, I’m old; I don’t really care for punk rock time, nor do I want to be up at 2 AM anymore. As you might imagine, rents are high everywhere in Tokyo, and prices for shows are high as well. Most shows I saw started at ¥2500 and upwards (Star Club, if you’re interested in seeing them was around ¥6000). That door price will get you one drink as well, but make sure you budget accordingly.
In Shinjuku, there’s at least five or six venues, or live houses, that could hold punk and hardcore shows; the two largest are Earthdom (slightly north of Shinjuku near Shin-Okubo station) and Shinjuku Antiknock — but there’s also Shinjuku Loft, Zone-B and Wall. All of them are on some kind of transit line, or within 10–15 minute walks from there. I should mention also that there’s a heavy metal themed bar in Shinjuku called G.O.D.S. that has some punk elements (thrash fanatics will dig the jukebox selection for sure) and there’s of course, a punk bar called H.O.D. (Hair of the Dog). I didn’t get to it, but it came recommended. Don’t expect day drinking, most bars open at around 5 PM or so. In Shibuya, there’s Club Quattro which tends to have larger bands (The Melvins sort of size). In Nakano, there’s Moonstep (there’s other locations with Moonstep as well, but Nakano tends to have more punk/hardcore acts). Lastly, Koenji has Sound Studio DOM and 20,000 Den-atsu (which is sort of between Nakano and Koenji JR stations).
Best bet? Try to find out a band that you want to see, figure out how frequently they play, and guess when their next gig will be (and book tickets way in advance if you’re not a baller). Or just go and see whatever’s happening. Chances are it’ll be better than what you see at home, because it’s happening somewhere else! If you’re looking for strategies on seeing particular bands, best bet is to follow them on Facebook, or their homepage if they have one, and bookmark the clubs I listed above and check their schedule pages for the dates you’re in Tokyo.
Undoubtedly, your food choices will be regulated by whatever diet you attend to. Vegans, as you probably are already aware, will have trouble customizing food in Japan — however I did pass by several restaurants that were vegan in Shinjuku. The down side is that they were western style. One thing is you can look for restaurants that have a listing on happycow.net (and dang, there’s 432 when I filter vegan on Shinjuku Tokyo) so the vegan in Tokyo thing is probably been overstated a bit. At worst, you could find Buddhist temples that serve meals, or eat Onigiri from 7-Eleven all the time. I’m not vegan nor vegetarian, and didn’t come from California where sushi is closer to Japanese style so I was frankly amazed with the food that I was eating. For the most part, we didn’t eat three meals, but several smaller meals throughout the day. As tourists, we were free to stop and eat some conveyor belt sushi anytime we wanted, or drop in for a quick tempura or udon set, and head off to the next thing to see. Overall, the food was excellent, and not as expensive as one would have you believe. Outside of a swankier kushikatsu meal and a fancier tempura meal with sake, I don’ t think we spent more that ¥3000 for the two of us on a meal. Drinking as well was much cheaper than Canada (although that’s true throughout most of the world). Beer was usually around ¥300 — ¥400 for draft, and less if you were buying in a convenience store or vending machine. Mixed drinks were usually around ¥400 to ¥800, depending on what you were having. The best thing I had was a Lime Sour, which was some sort of Sochu spirit with lime, and it was sour, but easy drinking. Very, very easy drinking. One thing that definitely saved us money was the no tipping — at bars or in restaurants.
I won’t go into specific spots, because as long as it’s not geared towards tourists (especially restaurants in a touristy area of town) you will be fine. If you’re trying to stay on budget, we found that convenience store pastries and coffee was sufficient for breakfast. Despite my personal affinity for 7-Eleven, Lawson was the best out of the major chains. Then you can do an inexpensive, but good meal at a more reputable restaurant, which might run you ¥1600. Then do conveyor belt sushi, which won’t cost a lot unless you eat the sea of Japan’s worth of sushi. We would follow that model and on some days would only spend ¥3500 on meals. We probably could have even spent less than that, but it’s a vacation, so let’s live a little, no?
Before we close off this ditty, here’s a map:
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